Beauty always dies, the manner dies with the matter, the world dies with the individual.
chaambler:

ROY LICHTENSTEIN Seascape (I), from New York Ten, 1964

chaambler:

ROY LICHTENSTEIN
Seascape (I), from New York Ten, 1964

merzbow-derek:

William S. Burroughs in Rhinozeros, a German magazine published out of Hamburg, edited by brothers Rolf-Gunther and Klaus-Peter Dienst from 1960-1965

Novia Express
Rhinozeros 6
1962

Wind Hand Caught in the Door
Rhinozeros 5
1961

Be Cheerful, Sir (Cut-Up)
Rhinozeros 7
1962

Der Doktor auf der Bühne (Cut-Up)
Rhinozeros 9
1964

via

fantomas-en-cavale:

Marcel Duchamp et Man Ray jouant aux échecs dans Entr’acte (René Clair et Francis Picabia, 1924)

fantomas-en-cavale:

Marcel Duchamp et Man Ray jouant aux échecs dans Entr’acte (René Clair et Francis Picabia, 1924)

31art:

KUPKA Abstraction, [1930 -1933]

31art:

KUPKA Abstraction, [1930 -1933]

mpdrolet:

From Field Trip
Martin Kollar

mpdrolet:

From Field Trip

Martin Kollar

blastedheath:

Jorrit Tornquist (Austrian, b. 1938), OP. 327 D, 1971. Acrylic Liquitex on canvas, 75 x 75 cm.

blastedheath:

Jorrit Tornquist (Austrian, b. 1938), OP. 327 D, 1971. Acrylic Liquitex on canvas, 75 x 75 cm.

Don’t forget the real business of war is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as spectacle, as diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death’s a stimulus to just ordinary folks, little fellows, to try ‘n’ grab a piece of that Pie while they’re still here to gobble it up. The true war is a celebration of markets.

— Thomas Pynchon, Gravity’s Rainbow (via starlitewalker)

rudygodinez:

Bene Rohlmann, Two Images from “Sketchbook”, (2013)

nearlya:

Eduardo Arroyo. Clásico Moderno, 1991

nearlya:

Eduardo Arroyo. Clásico Moderno, 1991

lackofcuriosity:

Marion Costantin

lackofcuriosity:

Marion Costantin